Since bibliophiles are happy to acknowledge the absurdity, the obese impracticality of gathering more books than there are days to read them, one’s collection must be about more than remember—it must be about expectation also. Your personal library, swollen and hulking about you, is the promise of betterment and pleasure to come, a giddy anticipation, a reminder of the joyous work left to do, a prompt for those places to which your intellect and imagination want to roam. This is how the nonreader’s question have you read all these books? Manages to miss this point. The tense is all wrong: No have you read all, but will you read all.” – William Giraldi
I love books. That’s vague and general and obvious to anyone who has been to my house, but it’s true. My books are friends to me. They’re bodies that occupy physical space within me and within my home. They are my comfort, and my solace. They’re chroniclers of my life and my interests, and they’re my oldest, deepest hope.
They also fuel my writing more than anything else. It took me three weeks to read Anne Tyler’s Breathing Lessons, not because it’s a long book—my hardcover copy clocks in at 326 pages—but because the writing was so vividly, deliberately compelling that I could only read a few pages at a time before I was stumbling back to whatever it was I was writing.
As this new summer starts, or thinks about starting—it’s 50 degrees when I’m writing this—I’ve been trying to compile a “to-read” list for the summer. (What’s more conducive to summer fun than structure?) I want more to be intentional with my reading diet. I tend towards homogeneity—specifically, literary fiction novels written by white women, usually published between 1980 and 2010. If I’m not careful, and I only draw from this well, I miss out on the bigger world of diverse writers, forms, genres and stories. Therefore, I’ve tried to mix authors and levels of fame and genres and subjects. I’ve tried to draw heaviest from what’s already un-read on my bookshelves (because as much as I love the institutions of libraries, I love owning books that I read more), but there are a handful of books on here that I’ll need to go seek out.
To create this list, I also had to lay aside my stress over the number of books that have been written, and the number of books that I want to read, and the preciously finite time that life has given me. At times, when I was scanning my titles and scanning my lists and scanning other people’s books lists, I felt at turns hopeless, at turns maddened knowing that I will never get around to reading it all. I will finish this summer with unread books, and someday, I’ll finish my life with the same. It’s an impossible task set before bibliophiles. We will never read everything we want to read, and for those who collect books too, we’ll never read everything we own.
But that’s part of the beauty of books. Reading it all has never been the point.
Summer 2015 Reading List:
The Color Purple, Alice Walker
Every summer, I try to read a classic, one of those 100-books-to-read-before-you-die books. Last summer, my mom and I read Their Eyes Were Watching God, and this summer, The Color Purple feels like an extension of that. Alice Walker’s love of Zora Neale Hurston led to her to reclaim Hurston’s nearly lost work in the 1970s.
Housekeeping, Marilynne Robinson
I’ve finally gotten the message: Marilynne Robinson needs to be read. I’ll start here.
Life Work, Donald Hall
This is a book that I know almost nothing about, but when I saw it on a book list, recommended by Rebecca Stead, I was so intrigued. Work is such a complex thing in our society—as we come out of the recession, it’s a miracle every time a young graduate gets a job. At the same time, it’s the thing that we’re always complaining about, or trying to get away from, or reading endless articles about how to balance it, manage it, enjoy it, maximize it, leave it, love it, and on and on. A book about the need to work, about industry being happiness, and vocation being joy? That’s something I want to know more about.
Ordinary Sins, Jim Heynen
Not only was this book written by a man who I’ve known my whole life, and who is very dear to my family and I, it’s also a genre I rarely read, and one that I don’t think I could ever write. Flash fiction. Ordinary Sins is this impossibly slim, impossibly elegantly slim book that gets overwhelmed by the bulkier tomes on my shelf. It’s indicative of the stories themselves: Jim packs the full force of human life into these miniature packages. In a few hundred words, he brings alive full people, with fully formed lives. It’s a skill and a talent that I want to learn.
This summer, I’ll be reading this—probably in one sitting.
The Outsiders, S. E. Hinton
I’ve held off reading this book until summer, because even though I’ve never read it, there’s something about The Outsiders that seems quintessentially summer to me. It has always seemed like a book written for that singular lonesomeness of warm nights and empty time and the confused, on-rushing adulthood on which adolescent summers are founded. Maybe I’m wrong. Either way, I’ll finally understand the full force of Stay gold, Ponyboy.
Pride & Prejudice, Jane Austen
This will actually my third time through this most-beloved book. I want to re-read it to answer this essential question: Do I really like this book? Because after two readings, I’ve never been convinced that I do.
Before Janeites come to club me to death with Austen’s own books, let me explain. The first time I Pride & Prejudice, I read it immediately after reading Sense & Sensibility. I loved Sense & Sensibility, and when Pride & Prejudice wasn’t a replica of Sense & Sensibility, I didn’t like it. The second time I read it, I was a bratty fourteen year old, and really liked being able to say I didn’t like this book that every other well-read girl my age seemed to love. (I told you I was a brat).
Because neither reading was a fair reading (and because I want to stop getting the death glares from people when I say I wasn’t a fan of Pride & Prejudice), I’m re-reading it this year, giving myself a third chance to appreciate a classic.
Samaritan, Richard Price
This book is tied with Tiny, Beautiful Things as what I’m most excited to read. I watched The Wire this winter, and have never seen anything like it before. I was captured, and compelled, and broken by the television show, and when I learned that the writer who wrote some of the most brutal and powerful episodes wrote novels too, I almost ordered his entire bibliography on the spot. In the interest of fiscal responsibility, adulthood, etc., etc., I did not do that. I only bought this book. I’m reading it to get a fix of whatever it was that gripped me about The Wire.
Celebrity/cultural figure memoirs are my brain candy. They’re my beach-read, my chick-lit, my romance novel, my hide-under-the-cushions guilty pleasure read. About once a year, I let myself read one of them, because, like real candy, these books are perfect when they’re an indulgence, and they’re very bad for me when it’s all I read. Also, I love Rob Lowe. (Sam Seaborn! Chris Traeger!)
Tiny, Beautiful Things, Cheryl Strayed
I, and every other woman mature enough to read Strayed, love her. I read Dear Sugar (inconsistently) when it was still an anonymous, internet column. I, of course, read Wild (and saw the movie, and saw her speak, and got my books signed, and hunted down every podcast on iTunes featuring her).
I’ve read a handful of these letters before, and I even carry a copy of “Write Like a Motherfucker,” but this is probably the book I am most excited to read. I control my consumption of Cheryl Strayed like a mother controls a child’s consumption of candy, because I want to savor her words. She writes with this hard, heavy beauty that does my writing good, and does my soul better.
Volt, Alan Heathcock
There are two reasons I want to read this collection. One, is because even though I write short stories, I rarely read them. Two, because when I listened to Heathcock read from his collection four years ago, I was blown away. The passage he read (something about a fire, I think?) was elegant and violent and haunting, and I bought the book immediately. I don’t know why in the world it has taken me so long to come back to it.
The War of Art: Break Through Your Blocks and Win Your Creative Battles, Steven Pressfield
I’ve started this book a handful of times, and each time, I’ve felt so helped by the compact wisdom that Pressfield doles out, I’ve stop reading it in all my newfound, enlightened empowerment. I have a feeling that if I read past page twenty, I’d get a whole lot more out of it.
This list feels both too short, and too ambitious, and I’m walking into June 1st, Torrie Jay’s decided start date of summer, knowing that I probably won’t finish all these books, that I’ll probably go off my list and read something else, that I’ll probably buy more books that I end up reading. Whatever else is true, this will remain: “Books, like life, make life worth living.”
What about you, what are you reading this summer?