“you’ll miss the water + the trees”: north shore getaway (pt. 2)

palisade head 4It’s summer, the fourth of July, but cool temperatures and the possibility of rain had us awake early on Wednesday. Day two of our little getaway was my to play. I wanted to drive northeast to Palisade Head, and pick our way back south, stopping as we wanted.

Palisade Head rises in sheer cliffs, three hundred feet above Lake Superior. On clear days, it’s a stunning panorama. The Sawtooth mountains and Shovel Point to the northeast, Split Rock Lighthouse to the southwest, and across the lake, the Apostle Islands.

We only stop once on our way up (for me to jump out of the car and snap photos of lupine along the shore — the first I’ve ever seen growing wild), but by the time we reached the lookout, the lake had vanished. Banks of white fog obscured everything, leaving only the base of the cell tower, and the rocks immediately in front of us clear.

A man with Ontario license plates shook his head at me when I joked about the view.
“Waste of your holiday,” he said, then warned me of coming storms.

The man had a camera on his neck, and I understood his gruffness. This lake is unruly, dangerous. It has its own weather patterns, and if you expect anything from your visit, you’ll likely be disappointed. I didn’t care though. That we couldn’t see the water, but could hear the waves roll over boulders at the base of the cliff was its own experience, gave the day its own beauty. We didn’t leave, but climbed down the billion year old lava formations.

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In the white fog, I thought, strangely, of death. This lake is, historically, treacherous. The “graveyard of the Great Lakes,” Superior has more than 500 ships on her floor, and as Gordon Lightfoot said, Superior doesn’t gives up her dead. The water is too cold for a drowned body to release the post-mortem gases that would, in a kinder lake, bring it to the surface. (As I told Chris on our drive up, I was really into shipwrecks for a while.)

I tried to explain how its in this space between beauty and danger that I find my love of Superior. It’s like the mountains, or the Grand Canyon. Like any wild place of beauty, we come to it, because it dwarfs us. We come to it, because we need it to dwarf us.

Lake Superior exists separate from us. Beyond our intervention or desires. It’s unruly and dangerous, and in this largess is its majesty. This lakes is powerful in the ways that it is, resonant and restorative and clarifying, because it exists beyond and beyond and beyond us.

Climbing these cliffs with so little visibility, I felt closer to the raw power of the lake. It’s large enough to have its own ecosystem, its own currents, and the fact that it’s landlocked and not ruled by global tides makes it somehow more powerful, more set apart from all its comparisons. It’s 2018, and we don’t navigate by lighthouses anymore, but this lake still demands respect. Just a year, a girl slipped from the very place we were climbing, and died on the rocks below.

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We were quiet in the fog, careful on the rocks, and cautious when we looked over the edges on our hands and knees. There was so little lake to see, but still, it was there. Just before we were about to leave, the fog shifted, and I could see the low waves that, previously, I’d just heard. The eddies of fog broke, and the lake to the northeast opened for us. Behind me, the cliffs we came to see.

For all I’ve said about the lake not existing for us, this felt like a gift, like the lupine on the highway felt like a gift. I didn’t expect it, didn’t need it, but oh my god, to receive it. The cliffs rise up, reds and oranges and grays, above sheets of hammered metal. You see the forests that rise and fall with the low mountains, and the lava formations that stand above the water. The fog kept the coast and water hidden, but I’ve seen, on clear days, the shore recede to haze and the lake stretch farther that you can see. I snapped photos furiously, then put my camera down. It’s a kind of worship, to sit before so much.

The clearing only last ten, maybe twelve minutes, and when the fog returned, we climbed back to the road. Growing between the lichened rocks, I came eye level with a blueberry bush, the berries still waxy and green. I snapped a photo, and kept climbing. I took hours for me to realize that I’d be gone by the time they ripen.

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Preparing to move away has left me with so many separate pieces. There’s the deep sadness of being away from family, but that sadness doesn’t diminish the sense of adventure. The waves of fear that we’ll fail (finances are my anxiety) are separate from the excitement that we’ll will be building something entirely our own. I hadn’t yet tried to reconcile all these jagged pieces, but they were with me as we picked our way down the shore.

Heavy rains truncated our plans, but we stopped once more to visit Split Rock Lighthouse, a Minnesota icon Chris has never seen. We skipped the tour to walk the grounds on own own. The thick white fog that had obscured the lake at Palisade Head was gray and heavy here. It hung over the trees and buildings, and turned everything to shadow.

Here, again, is a shore I know so well. Even under blankets of fog, I can trace the outlines of the cliffs and rock patterns. I’ve seen this beach on hot summer days and in crisp fall weather, with fat snowflakes falling on and in the earliest spring when the ice was breaking up. Its broken pieces made music riding on small waves.

For two days I felt this returning. All the ghosts of who I’ve been, from my childhood to my adulthood, are here. This lake is part of me. All these memories, all these stories kept coming to me. That’s my favorite beach, and if you climb past the no trespassing signs, it stretches all the way to the mouth of the Beaver River. When he was a toddler, my brother wore his flippers and goggles on the walk to Gooseberry Falls, but when he got there, there was barely a trickle  of water coming over that wide terrace. Six years later, he and another almost-brother scaled that rock face. We watched waves on this beach the year my dad turned 50, and if you keep driving north, that’s where we spent Thanksgiving.

On the beach beneath Split Rock, I submerged my hands in the water, a holdover from childhood when I wanted the water, the lake itself on my skin. We were getting ready to leave, fog heralding more severe weather on the way. I expected to be bowled over by grief. How many times in the last nine weeks have I asked myself ‘am I really leaving? And I really leaving the home I love, the land that feels apart of me, the family to whom I’m anchored?’ That we’ll be back is a given, but when? I’ve never left home with a plan to return.

The water was cold and clear and bracing, and with my hands in it, I felt clarity instead of sorrow. All the pieces of fear and hope and sorrow and excitement and possibility, all gathered into something that felt whole.

Cheryl Strayed’s Wild came to me. How she wrote, “Of all the things I’d been skeptical about, I didn’t feel skeptical about this: the wilderness had a clarity that included me.”

I think about what my friend told me about leaving: It’s not easy, but it’s not scary, and the doors that open make it worth it in the end.

But I’ll miss the water and the trees.

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ps: read part 1 here

Author: Torrie Jay White

Torrie Jay White is an emerging writer in Minneapolis, Minnesota. She holds a degree in English literature and History. Much of her writing explores place and identity. Her short fiction has been published in fields magazine, Litro Magazine and Rock & Sling. She's working on her first novel + on becoming who she's is meant to be.

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