thoughts on the business of creativity

Torrie June 2018 605 (2).JPGDo you ever become obsessed with productivity? The need to keep vaulting forward? Believe me when I tell you that, as I write this an hour after waking, and already I’ve felt myself pitching into the anxiety of industry.

I tried to explain this to my partner: I feel like I’m fragmenting. My brain is this hive, a colony of operations, except I’m the only bee inside and can’t visit every chamber. There’s the business of leaving: the leases and the jobs and the moving boxes and what you do with all the stuff you own when half of it you love and half of it you hate, but it all seems to necessary. But then there’s all the stuff that has nothing to do with moving, and everything to do with just living.

How do you make enough money to earn the freedom of unencumbered hours to create? If, by some miracle of economy and privilege, you have that freedom, how do you cut away the noise of the world to let ideas populate your wilderness? If by all the miracles of economy and privilege and focus, you actually create something, how do you get anyone else’s attention?

I sound like I’m complaining that “no one” reads me writing, but really, I’m not. More people read my writing than I can even imagine. After I wrote about finishing my novel, several people emailed asking for the PDF. What a gift that was. Doubly, triply so when those miraculous readers wrote me to say they saw the kind of beauty in my story I’ve worked so hard to create.

No, it’s all the business of creativity. The social media presence and the digital analytics and the “cultivating community” (versus the actual, valuable process of finding people who are as excited about the same things as you). We’re inundated constantly with all these stories about people who “hustled” their way into their careers, who built brands and followings and presences and parlayed them into other opportunities. I want to write, and I’m not saying I should be be able to do this without any work (because I’m shouldn’t), but I’m saying what does my Instagram following having to do with the stories I write about broken people? And if one means something to the other, how do I marry those bright squares with the emotional excavations of my fiction.

I’m creatively restless in the blank spaces that finishing my novel opened, and I’m uncomfortable and confused by the landscape of digital creativity. (What even does that mean? Again, I write. Does that make me a digital creative? Does simply being creative in 2018 mean you are, automatically, a digital creative?)

Yesterday, I sat in a garden for two hours, and finally left, because I couldn’t still my mind. These two trajectories, moving away and building my writing, are linked, because I’m looking at this move as an opportunity to refocus my time and energy. My brain is a to do list a mile long, and it’s an internet browser left open on too many tabs. 

I’ve questions I want answered and stories I want told. How do I drill down past all the extra stuff to think as deeply as you need to write? And then how do I pop back above the surface, and make space for myself in the already crowded room?

thoughts on abundance versus reduction and what we create space for

I’ve spent a lot of time thinking about reduction over the last few months. Reducing my spending, reducing my possessions, reducing my stress, reducing my clutter, (I want to say reducing my waistline too, but I’m working on self-compassion over here). The cleanness of January–new year, fewer plans, clear, winter light–makes me want to cut down, cut back.

On Monday, I lay awake in bed thinking about writing. I’m reading Karl Ove Knausgaard, and thus far, he hasn’t written much about his writing, but the act of writing is a constant specter in the books. The joy of language (“These two places alone, which I could not believe I had written…are two of the best moments in my life. By which I mean by whole life.”), the industry of publishing, the slog of working on it, the anxiety of not writing at all.

I’ve written very little this past year. I did publish short story in a small journal in June (cue the trumpets!), and have written reflectively both in my journal and in this space, but as far as creating, pulling new stories out of the nascent fog, shaping those narratives into something readable, something publishable–I’ve only “done” three longhand pages of that kind of writing in the past seven months. Despite having written so little, I still feel writing on me the way I always have. I still shutter beautiful moments, listen for cadence as people speak, note the phrases strangers use as they cross me on the sidewalk. On Monday, I thought about how hard it is to create something new (even if it’s just for yourself), and then I remembered that I’ve done this again and again and again. Creating is hard, but it’s also as natural as breathing.

What will occupy the space I’m creating with all my reducing?

I wrote about this feeling last week: That I want 2018 to be an abundant year. It strikes me, lover of words that I am, that the two words that have been rising to the surface now are at odds with one another. Abundance and reduction.

But then I think about the two areas of my life where excesses can be most visible: my spending habits and my book collection. I’ve been diligent these past weeks at tracking my spending, and weighing my purchases, and while I’ve said no to what I haven’t needed, I’ve genuinely enjoyed spending each dollar I’ve spent this month. A Saturday night with friends, a haul of fresh, adventurous foods we turned into meals on a long, snowy weekend, sipping the “world’s best chai latte” in a warm parlor on a cold, cold night. Cutting back to make room for more.

Same goes with my book collection. Reading My Struggle, which is so compelling and wise and asks questions of me that I haven’t know to ask, has me thinking, yet again, about which books I keep and which I pass along. I have a tremendous amount of books, many of which I haven’t read yet, and while you wouldn’t guess it looking at my four full bookcases, I edit my collection frequently. I won’t keep a book unless I loved it, or unless it taught me something. The six volumes of My Struggle are the kind of books I will gladly haul with me from apartment to apartment, and from city to city. Books with this much life make me want to cut back on the volumes where the magic has dulled.

As is so often the case in my life (in all our lives?), I feel like I’m holding disparate things in one hand, and wondering what will be done with them. I want to write, but I don’t trust my words yet, or my ability to work with them. I want to foster abundance in my life, but right now, I’m taken with reduction. What is going to fill up all this space I’m creating?

I’m considering dedicating a month to a daily habit to try to create some forward motion for myself. Journaling, maybe, or mediating. I’m always interested in what happens when we commit ourselves to one thing. How can that one thing crack open the ten thousand?

I have all this joy right now, but also all this anticipation. The new year is arbitrary, I know, but the hope I have for it isn’t.